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I keep trying out avatars for web use. This was generated by the Mad Men website.

Big Trek Theory

I can't remember which musician in Nirvana said it, but the quote went  something like: "How do you know that you have made it in the music business? When Al Yankovic writes a parody of one of your songs."

So the meta-narrative validates the narrative.

The new Star Trek reboot seems to be taking off, but I wonder: how is it going to be handled on Big Bang Theory? Ripe grounds for nerd contraversy!

Gripes

Todd posted this:


see more Funny Graphs

This makes me rant a bit about remembering when the A&E channel stood for "Arts & Entertainment." I remember getting basic cable and really enjoying a presentation of The Mikado in which the Lord High Executioner's song had an encore wherein he listed all of the modern annoyances that would call for his sword's work (people that talked loudly on cell phones in public places, etc..).

Or when MTV was about music...or when Discovery was about science...or...

Back in the 1990s, one of the big arguments against funding of PBS was that these new cable channels would provide diversity of programming and fill the econiche of public TV.

How I wish it were true. The only channel that has kept true to that kind of charter is CSPAN.

Bring Back "Firing Line"

Jonah Goldberg voices our mutual impatience with the current Democratic bashing of Rush Limbaugh.

Regardless, the war on Limbaugh from the left is a tired rehash. In 1995, Bill Clinton tried to blame the Oklahoma City bombing on Rush. In 2002, then-senator Tom Daschle, the leader of the Democratic opposition, claimed that Limbaugh’s listeners weren’t “satisfied just to listen.” They were a violent threat to decent public servants like him.

In just the last month, Obama suggested that Republicans were in thrall to Rush. White House Chief of Staff Rahm Emanuel has anointed him the GOP’s leader. Rep. Barney Frank complained that Republicans didn’t give Obama enough standing ovations during his address to Congress because they are afraid of Limbaugh and Sean Hannity.

Does anyone think that Republicans, absent fear of Limbaugh’s lash, would be throwing flower petals at Obama’s feet as he sells the Great Society II? If that’s true, I say thank goodness for Limbaugh’s lash.

More than just complaining, Mr. Goldberg offers a suggestion:

Bring back Firing Line. William F. Buckley Jr., who died almost exactly a year ago, hosted the program for PBS for 33 years. He performed an incalculable service at a time when conservatives were more associated with yahoos than they are today. He demonstrated that intellectual fluency and good manners weren’t uniquely liberal qualities. More important, the Firing Line debates (models of decorum) demonstrated that conservatives were unafraid to examine their own assumptions or to battle liberal ones.

As Democrats try to ram through the “remaking of America” (Obama’s words) by exploiting a financial crisis, we need those debates. PBS could actually live up to its mandate to educate and inform the public. It would be the kind of entrepreneurial government innovation even right-wingers could get behind.

As a reminder of what a wonderful program Firing Line was, here is a portion of one of William F. Buckley' interviews with Malcom Muggeridge

George Putnam has Died

Things I didn't know about George Putnam:

"I detest labels," he once told the Los Angeles Times. "I've been called many things in my career: right-wing extremist, super-patriot, goose-stepping nationalist, jingoistic SOB. And those are some of the nice things.

"But those people have never bothered to determine my background: Farmer-Labor Party, Socialist Party, lifelong member of the NAACP [National Association for the Advancement of Colored People], member of the Urban League. I went through the Depression, and my father was reduced to selling peanuts door-to-door . . . I fell in love with Franklin D. Roosevelt. I've been a lifelong Democrat. I'm a conservative Democrat."

Sorry. My head will stop spinning in just a minute.

The Music Man

A fascinating article by John McWhorter in The New Republic on the changes in oratorical styles in the last century.

If Abraham Lincoln were brought back to life, one thing that would throw him, other than electric power and the Internet, would be that audiences disrupted his speeches by clapping after every three or four lines. As ordinary as this seems now, this kind of applause is actually a custom of our times: Wesleyan political scientist Elvin Lim has documented that, in records of presidential addresses since Franklin D. Roosevelt, 97 percent of the applause lines appear in speeches by Richard Nixon and his successors. To speakers in Lincoln's day, a public address was typically a lecture. In our time, it is more often a love-in, more about the speaker "connecting" with the audience than teaching it anything new; hence the constant interruptions for clapping....

Given the standard assumption that our political culture would be better off if everyone would just "stick to the issues," the heavy performative streak in modern political speechmaking could be seen as counterintuitive. Wouldn't we expect the average person, when behind the podium, to simply talk? Why do so many find it natural to slide into a dramatic speaking style alien to their everyday selves when speaking to audiences--and why do they say so little when they do?

(Reagan speechwriter Peggy Noonan refers to this impulse as "reaching for the marble," that is, the hope of every presidential wanna-be and might-have-been to hope that their rhetoric will be so high-flown and compelling that it will be carved on the walls of their national monuments some day. -ed)

Interestingly, modern speakers have discovered they can play down to their audiences without seeming to. The intonations of casual speech are a kind of music; and, when wielded effectively, they can satisfy in the same way as a good song. Steven Mithen at Reading University has even proposed that language began as strings of musical syllables, gradually reinterpreted as nouns and verbs. Thus, euphonious intonation has a way of sounding like grammar--i.e., logic. In fact, researchers at the Max Planck Institute in Leipzig have discovered that the part of the brain that processes musical sequences is the same one that generates grammatical syntax.

If our expectation that a subject will be followed by a predicate is founded in the same process that leads us to hear the sequence of notes of "Twinkle, twinkle, little star / How I wonder what you are" as a proper tune, it's no wonder Obama can get so much out of the sheer melody of his delivery. With our brains configured in a way that makes melody feel like logic, the only question would be why Obama's savory intonations would not suggest leadership ability to his fans. In fact, intonation has arguably been as key to Obama's success as his heritage or intelligence. One senses that the women fainting during his speeches are overcome more by the way he talks than what he is saying: With his mastery of cadence and vocal texture, he could rouse an audience reading from a phone book.

However, we must be careful what we wish for. In our sound-bite culture, America not only does not, but perhaps cannot, process logos-based oratory the way it used to. Hillary Clinton's content-rich addresses during the primaries got her nowhere, and Obama's masterfully composed speech on race this spring left his detractors unmoved, many seemingly challenged in even following his lines of argument. For all the complaints from voters about Obama that they don't know "who he is," if he had stepped onto the national stage patiently explaining who he was, how many people would have even been able to listen?

H/T Allah

FireFlew

I am a big fan of the Television show Firefly. I own the DVD box set and have watched it again and again. I have loaned it to friends and relations causing a few to buy their own sets.

Now the word comes out that the series will be released in Blu-ray. Well, here is the news item:

Firefly: The Complete Series drops on Blu-ray high-definition disc on Nov. 11 from 20th Century Fox Home Entertainment in a three-disc set that includes all 14 episodes, a new Firefly Reunion roundtable discussion and a new episode commentary from series creator Joss Whedon and select cast members; the set carries a suggested retail price of $89.98.

$89.98?!?!?!?

I'd love to see the roundtable discussion and hear the new commentary, but nearly $90 for a discs that I already own...

Awesome Awsomeness

This is why I love the Internets. It's also why I read quality bloggers like James Lileks. Here is a show from the early 1970s that defines an era. And the cast! Burgess Merideth, Hugh O'Brian, Tony Franciosa, and Doug McClure!



Here's a link to Search in Jump the Shark.

Taking the Fifth

Beethoven's 5th symphony in C minor is such a workhorse (or warhorse) that it has become a symbol of Western concert music and it has been been drafted into many uses. Most often it appears musically as a straw man with a sign hanging from it's neck that reads, "Dead White European Music."

But occasionally the genius of the composer calls forth some genius from the adapter. Two treatments come to mind. First is Peter Schickele's "New Horizons in Music Appreciation: Beethoven’s Fifth Symphony" to this: Sid Ceasar and Nanette Fabray having an argument to the Fifth Symphony's first movement.

Two points that strike me: They used the entire first movement of nearly six minutes. I don't think a television programmer today would let a skit develop that long. Though the movements seem to be repetitive, they develop the story with the music and let the music dictate the pace of the skit. This would be very daring whenever it was done.

Alien Nation

The Alien Nation made-for-TV movies have been released to DVD.

I have said before that I have a soft spot for genre-bending science fiction television shows. Alien Nation was the best sci-fi cop-buddy-comedy-soap opera ever done. (And yes there have been several---if you stretch "sci-fi" to include the "supernatural horror" like they do in the island's video rental store.)

The series was canceled by Fox TV back in its early days, setting a pattern for disappointing everyone who didn't care for teen soap opera. I am going to order the one complete season on DVD and see if it stands up. If so, I may order the movies--that will give time for their price to fall.

...And am I the only one who gets the multi-layered pun in the title?

Invasion on Hold?

Via Slice of SciFi:

February 02, 2006

Invasion Gets KO'd In Six

Submitted by: Kyle Nin

The slow-paced Shaun Cassidy scifi creation Invasion is being put in the back of the top shelf of ABC's closet in about six weeks from now in order to make room for a new mid-season crime drama called "The Evidence."

As early as 3 weeks ago ABC execs were touting their faith in the show and vowing to stick with it. Whether this remains to be the case or not only some time will tell. Until then the last episode of Invasion before it's unscheduled hiatus will be shown near the end of March.

Bad news for the Islander family. We have been enjoying the genre-bending* series since it premiered last year. Part paranoia trip (much in tone like Invasion of the Body Snatchers), part weird soap opera, the story started claustrophobically in a small Florida town, and it has just started to open up both geographically and in its cast.

I won’t mourn it just yet, but I’m getting disgusted by network executives that get all twitchy when a new series doesn’t become this season’s Cheers or Friends.

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* Longtime aquaintences will know that I have a weakness for SciFi-based genre-bending television shows. Examples? Well, Alien Nation and Firefly spring to mind.